Sunday, August 19, 2012

Inter-species connection

At 17 years old, I spent a few weeks working at an abattoir in Toronto. I’d already worked at the lead smelter next door a couple months earlier and thought I’d give the slaughterhouse a try. Nobody wanted the shit jobs in these places so they always had open slots and paid okay.
The slaughterhouse was a real dump and oldtimers there said it hadn’t changed in decades. It was down by Lake Ontario, under an elevated expressway, in what’s now a trendy warehouse and condo district. Back then the area was low-end immigrants, mostly Wops and Pork Chops, living in these narrow shack houses next to the kind of factories and operations nobody with any money wanted around them. On hot, humid nights, when the air hung thick and heavy, you could smell the death and terror all the way up to Chinatown at Spadina and Dundas.
My job was a “prodder.” The trucks would back up to a kind of chute. It would be locked to the slats down the side of the truck’s payload. The rear gate would then be dropped, creating a seamless connection with the chute. The pigs were jam packed so their general freak-out pushed the first pigs down the chute and the rest would follow in churning blind terror. Myself and one or two other employees would climb onto the sides of the truck with long steel poles and 'prod' the animals toward their death.
Some of the smarter pigs went crazy after realizing what’s up. A few would sometimes jam themselves into the furthest corner of the truck’s payload and snarl and cry or try to climb up the payload’s slatted walls. The steel poles we used also had sharp hooks on the end so if prodding didn’t work, you’d have to hook them around a hoof or by the rear. Some guys had fun slamming down the hook hard and fast so it impaled the animal, maybe through a rib or hip or neck, then dragged it, literally kicking and screaming toward the chute while another guy would jab and push.
The job gave me nightmares, of course. I remember one pig – a big black character. He’d backed up into a corner and sat on his haunches and let out these ear-splitting howls. It took three of us a fair while to stab, jab, prod, poke and drag the fucker to the chute. He was a bloody, lacerated mess by the time we rolled him down there.

Later, at lunch, where we ate the company’s homemade pork sausage sandwiches, one of my workmates said: “That big black fucker was too much, eh?”
“Yeah.”
“See the way he fought? That’s the way I’d go down if was one of them.”
“Yeah.”
“Did you see the way he looked at me?”
“Yeah, I noticed.”
“Freaky, eh? He just sat on his ass, calm as a pope, and said, ‘Go on, fuckhead. Do your worst.’”
“Yeah, I saw that.”
“Did he look at you too?”
“No, I don’t think so.”
“Fuck, man. He definitely looked at me. I mean he communicated. I saw his whole life. As a piglet on his mamma’s tit. Running around some farm out in the sun, fucking around in the mud and all that.”
“I don’t think they raise pigs like that anymore. I think they’re just kept in narrow pens and force fed lots of fattening shit and when they reach a certain weight, they’re put in the truck.”
“You don’t think there’s pigs who live free anymore – like on farms an that?”
“No, it probably wouldn’t make a lot of sense money-wise.”
My workmate paused and considered this information. “Yeah… I guess. But that motherfucker talked to me, man. He had something to say.”
“Yeah, I could see that.”
He put down his sandwich and burped. “Y’know what?”
“What?”
 “I can’t do this job anymore. That pig was telling me to get out of here. He was telling me this place is a sin.”
“Yeah, it is.”
He sat up decisively, hands held wide and fingers spread. “Fuck this shit. I’m not going back after lunch. You wanna quit with me?”
“Okay.”
“I heard there’s warehouse gigs out at Albion and Finch that don’t pay too bad.”
“That’s kinda far.”
“If we sign up at the Labor Pool at Church and Sherbourne, they’ve got vans that take you out there and bring you back. The Labor Pool takes a cut but it’s not much. You get a free ride and they pay every Friday - in cash.”
“Sounds okay.”
“So you wanna quit with me?”
“Yeah.”



Friday, August 10, 2012

50 Shades of very gay porn - and i don't mean queer

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It's the book that's sweeping the vanilla hetero world.
I pull him deeper into my mouth so I can feel him at the back of my throat and then to the front again. My tongue swirls around the end. He’s my very own Christian Grey-flavored popsicle. I suck harder and harder … Hmm … My inner goddess is doing the merengue with some salsa moves.
She's called Anastasia and she's a college aged virgin and meets a - what else - "deeply disturbed" billionaire called Christian Grey.
And here's why Christian Grey, the "smoldering" billionaire stranger must be saved by the virgin college girl Anastasia. No, I'm serious. She really is a virgin and he really is a billionaire and she really does constantly refer to her 'inner goddess.' I think he begins to call her that too. For that alone they both deserve a horsewhipping.
He looked at me bitterly. ‘The woman who brought me into this world was a crack whore, Anastasia … I am fifty shades of fucked up.’ I slip into a dazed and exhausted sleep, dreaming of a four-year-old gray-eyed boy in a dark, scary, miserable place.
Really? His mother was a crack whore? That's the best the hack who wrote this crap could come up with? A fucking crack whore? And yes, she really dreams of him as a boy in a dark, scawee pwace. Jeezus.
You know in a year or so everyone who is now waving a copy around on the bus/train/etc will be denying they ever heard of this soft-core jackoff nonsense.
The dialog so awesomely bad, so hilariously awful, so stilted and tin-earred it sounds like they never actually get beyond a kind of titillated small talk. But the underlying message seems to be that even good girls love to get punished for things they are dying to be forced to do - or as Lenny Bruce once said of both visual and written porn: "The Great Army of the Unlaid need something to do."
One thing about 50 Shades of Naughtiness is particularly sad. You can see the writer was careful not to use any big words or big ideas. I kept looking for some seriously hot scene that's not your usual cliche fetish bollocks but no luck. It reads like a polite version of the bullshit they used to publish years ago in mags like Penthouse and Gent.

Tuesday, August 7, 2012

LATEST ENTRY; William S. Burroughs quote on cover

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AND THE LATEST ENTRY IS...
THE WILLIAM S. BURROUGHS QUOTE ON THE COVER OF MOUNT ROYAL
On the cover of MOUNT ROYAL there's a quote that reads "...morally dangerous..." and is attributed to the author William S. Burroughs. I explain this in one of the videos from the launch at the Revival Bar but here is a slightly more elaborate breakdown.
When I'd been living in Montreal many years ago, Burroughs came up there while touring a series of paintings he'd done. They're commonly known as The Shotgun Paintings. Being an American Midwesterner, he loved guns and would replace the pellets in his shotgun shells with paint then blast away at pieces of wood, sheets of tin etc, whatever pieces of junk he'd find laying around on his farm near Lawrence, Kansas. Then he'd add various odds and ends, photos, drawings, whatever and the results were pretty fucking stunning.
So I'd gone to his Montreal show at a gallery on the Main and he was so sweet and humble and kind, I just wanted to cry. In his old fashioned blue suit and fedora, he reminded me so much of my grandpa, who I'd loved so much. That slow gravely voice, the off-hand gestures. I'd brought along a gram of the some really choice uncut Montreal H and when we shook hands I used the classic pass, curling my fingers a bit to tickle his palm, the kite full of dope, between my middle and forefingers. He smoothly took the package between his fingers and said, "I'm out of that now but you never do know."
Montreal was and I'm told continues to be legendary among the cognoscenti for the quality of its heroin.
We walked around the gallery, talking about his paintings and I can't remember exactly what they cost, about 10 grand apiece. We also spoke of that old idea of his, language as a virus. Of course it turned out to be far truer than even he might have imagined but at the time it was not yet evident where this concept would go. It was just prior to the internet explosion.
Some months later I wrote to him about 'psychic parasites', the idea that attitudes, madness, an idea can not only be communicated unconsciously, like propaganda or brainwashing but as an actual physiological virus - like you're actually infected by the madness of another due to cloes physical proximity. You 'catch' their mental illness or bad ideas because you're near them, like catching the flu off someone.
We riffed on this for a few letters back and forth and in one of them he wrote, tongue-in-cheek, that mainstream society might see such concepts as being 'morally dangerous.' So that's where that comes from. It was the publisher's idea and seems to help get people to pick up the book, which i guess is the idea.